Poet Laureate
Jillian Morris, Collingwood's Poet Laureate, 2022-2024
Jillian is a Collingwood writer, poet and storyteller whose work is regularly featured in local and regional publications. She will serve as Poet Laureate for two years commencing in April, 2022. The role of this honorary position is to elevate poetry, writers and literary arts in the community.
During her term, Jillian will appear at events, present work on themes relevant to the citizens of Collingwood and utilize poetry and storytelling as a means to help connect the community.
As Kanien’kehaka, a member of Six Nations of the Grand River Territory, Jillian’s poetry layers traditional teachings and interconnection with the natural world to explore identity, redress untruths and foster connection. Her poem A Tribute to our Stolen Spirits is installed at the Awen Gathering Circle.
Jillian is a former federal public servant and in addition to writing, she is a researcher, creator, public engager, mother, wife, and bridge builder. Jillian is also a member of the Unity Collective where she finds endless reward in volunteering and working to build relationships, capacity, and understanding. To reach Jillian, contact artsandculture@collingwood.ca.
Sagas of Black Ash Creek
By JK Morris
Presented to Council, April 2022
The blanket now bathes, glides across grey stone
Awakening more life than the present one alone
The rock holds old song, still eager to share
Ancient fire ash, the residue of aged prayer
Hazy vibration, ode of heartbeat or drum?
Listen intently, there is more yet to come
Copper toned footprints in pattern of dance
The clay carries her duty of fond remembrance
Of travelers and dwellers long into the past
Buried and treasured, the sacred shall last
Encoded in memory of the sediment and soil
Waters entrusted to care for hallowed spoil
The bluffs release vignettes of no reason or rhyme
Ancient legends eroded and distorted by time
Colliding and bumping, they come with such haste
Growing and flowing, enjoying the chase
She gathers them, cradles them, guides them along
Perhaps these old verses will return into song
Now at the mouth, she releases the choir
A coming together of truth, love, and desire
The creek slows her pace, rests in warmth of the sun
Until the next cycle of shedding’s begun
With Respect
By JK Morris
Presented on Canada Day, 2022
If you are what you eat
Consume the wisdom of those who walk with worn soles/souls
They’ve laid out a feast
For your heart and your spirit to take hold
They’ve seen the evolution, the change
And the rewind
Their hands cradle a story, one only they
can leave behind
To choose to sit in the perceived bliss of unknowing
Is a good rule of numb
If not to make a mark, leave a legacy, beat a drum
Why did you come?
It is not a waste of time, it is a time of waste
A social movement is not a race, an action of haste
Slow it down, eyes on the walk not the end
Lest you get caught up in the rhetoric on trend
Don’t judge a look by its cover
Because behind these eyes I just want to take cover
A speech of conviction, brings about persecution
But is the only way to that revolution
I’m asked of my trauma, my burdens, my loss
Like I walk around chained by the waist to a cross
But it is Intergenerational love that is my inheritance
Tradition and teachings don’t live in the past tense
If the story were different, I wouldn’t have to explain
Your ship and my canoe would glide along with the grain
The wisdom to look seven generations ahead
And your love of the land would take precedence instead
The covenant broken is a deficit to us all
It’s time to polish the chain, will you answer the call?
This nation named in the language of my people
Then in irony attempted to render it feeble
But the language survived, and we are still here
Still willing to share the ancient knowledge held dear
Please understand, your patriotism does not offend
But I am Kanienkaha:ka and I will no longer bend
Your day of celebration is my day of remembrance
With respect I bow out of the song and the dance
Telling Our Stories Through Poetry - a free, virtual discussion held last April with four published Canadian poets in celebration of National Poetry Month. We hope you enjoy the recording of this event hosted by former Poet Laureate, Claudia Ferrraro.
Authors: Phoebe Wang, Laura Ritland, Randy Lundy and Michael Fraser
With financial assistance from The Canada Council for the Arts through The Writers' Union of Canada
Michael Fraser has been published in numerous national and international anthologies and journals. He is published in Best Canadian Poetry in English 2013 and 2018. He has won numerous awards, including Freefall Magazine’s 2014 and 2015 poetry contests, the 2016 CBC Poetry Prize, and the 2018 Gwendolyn Macewen Poetry Competition.
Laura Ritland is a poet, teacher, and scholar whose poems have appeared in magazines across Canada including The Walrus, Arc Poetry Magazine, CNQ, Maisonneuve, and The Malahat Review. Her debut collection East and West was published with Véhicule Press in 2018 and shortlisted for the 2019 Pat Lowther Memorial Award. She is also the author of a chapbook Marine Science (Anstruther Press, 2016) and recipient of the 2014 Malahat Far Horizons Award for Poetry. Born in Toronto and raised in Vancouver, she currently lives in Berkeley, California, where she is a PhD candidate in the department of English at UC Berkeley.
Phoebe Wang is a writer and educator based in Toronto and a first-generation Chinese-Canadian. She is the author of Admission Requirements (McClelland and Stewart, 2017), nominated for the Trillium Book Award. Her second collection of poetry, Waking Occupations, will appear in Spring 2022. Her fiction and nonfiction has been included in The New Quarterly, Brick and The Unpublished City, shortlisted for a Toronto Book Award, and she co-edited The Unpublished City: Volume II, The Lived City. Her work has also appeared in REFUSE: Canlit in Ruins (Bookhug, 2018), What the Poets are Doing (Nightwood, 2018). She works with the organization Poetry In Voice and as a Writing and Learning Consultant for ELL students at OCADU.
Randy Lundy is Cree, Norwegian, and Irish and is a member of the Barren Lands First Nation. He was born in the mining community of Thompson, MB, and grew up in the logging community of Hudson Bay, SK. Randy has published four books of poetry, most recently Blackbird Song (2018) and Field Notes for the Self (2020) with the University of Regina Press, where he currently serves as editor for the Oskana Poetry and Poetics series. He recently joined the English Department at University of Toronto, Scarborough, following the University's TRC-response search in Creative Writing, Indigenous Literatures, and Oral Traditions.
This section is where you can share your poetry. Please submit any original poem you’d like considered (as a Word document attachment or in the body of an email) and send it to artsandculture@collingwood.ca. Let us know if you’d like to be acknowledged as the poet or be published anonymously. We’ll read every submission and publish what we can. We look forward to seeing your work!
Click on the name of the heading below for the full poem
Canada Day...A Poem for Collingwood by Jim Rickett
Earth Will Live by Judy Dunbar a.k.a. Phoenix Rose
This Angry World by Faye Austin
Dresden Cup by Susan Wismer
Parts of Speech by Day Merrill
Love Will Never Die by Sandra Parsons
The Greatest Show on Earth - Anonymous
New in Town by Ella Pankatz
lifesong by Jaclyn Jarvis
Returning by gloria kropf nafziger
Vs by D.C.
Simple Pleasures by Faye Austin
Launched by Val Losell
Untitled - K. Burland
Weather by Jake McArthur
Life by Gloria Kropf Nafziger
Just Float by R.C.
True Glory by E. Beyer
Canada Day...A Poem for Collingwood by Jim Rickett
Our Place
I've been in Collingwood for twenty years,
and enjoyed my time, with very few fears;
a better place to live, cannot be found,
it's a most wonderful town all around;
I ride my bike on its' many winding trails,
the beautiful scenery excites and never fails;
our Arboretum certainly can't be beat,
it's numerous labelled trees are really neat;
along the streets are home of distinction,
being large or small there's no extinction;
downtown shopping, we really trust,
and a large mall is not even a must;
Our town centre is more than a tax haven,
hockey players for the arena are cravin'
on the bay the lighthouse catches our eye
at Millennium Park the elevator reaches the sky;
People are what really makes our town,
Friendliness it the characteristic all around;
we're getting a lot of new homes buit,
soon our population will rise like a stilt
We'll never forget our "Side Launch" fame,
and will adjust to our new tourist game.
That's all I've got to say for now,
My last word for Collingwood is "Wow!"
Earth Will Live by Judy Dunbar a.k.a. Phoenix Rose
Healing our planet begins with you and me
Doing our best to love all life we see.
Others then feel this and display their true worth,
Soon it's contagious – a lovefest for Earth!
Each morning when you arise,
Sun streaming brightly in your eyes.
Go! Open the window and breathe in
Fresh life for today's precious season.
Minutes and hours you're given,
Make the most of them and live in
Harmony, balance and gratitude -
We have choice in action and attitude.
Choosing thoughts good and kind
Resonates through body and mind.
Every cell, fiber, and nerve
Helps the body to be well served.
Yet, we tend to tread upon Earth
Believing we're of greater worth.
Simply, we should humble be
As Nature surely rules thee and me.
Mother Earth – Gaia,
Warns with high winds, floods, fire.
We've nearly strained her entirely -
Headed to issues that challenge direly.
Unless we change courses
Of stripping Earth's resources -
Water, air, fish, trees, soil -
We may these deplete or forever spoil.
But there's hope at every turn,
Human spirit does hotly burn
As advocates and youngsters show
Strong resolve and numbers grow.
They seize the torch that Greta lit
Marching forward with true grit,
Inspiring leaders to open their eyes -
See climate truth and compromise.
Within themselves a courage woke,
Refining goals and rather stoke
Ingenuity in all its glory
Creating new ways – a brand new story!
Like regrowing bleached out coral reef
Or finding a substitute for beef,
Nothing turns on just a dime -
Retraining often takes some time.
But leave the oil in the ground,
Create energy without pollution. Sound
The alarm as time grows short
The canary may die unless we abort.
Cease the endless growth and expansion,
Build smaller homes - forget the mansion.
For quality of life, realize
Less is more (even family size).
There's limits to our space and scope,
Without balance we're unable to cope.
As sea levels rise and drought limits crops
Our future sustainability drops.
Plastic waste won't just disappear,
It pollutes and lasts hundreds of years.
Try waxed wraps or glass: clean, reuse.
That way Earth is not abused.
A forest logged takes decades to regrow.
Hemp trees aren't nearly so slow -
Used for paper products like TP,
Saving the Boreal for songbirds' trees.
Coastal wetlands act as lungs
Absorbing CO2 that doesn't belong.
Farm pesticide-free -- a chance to guaranty
Food and water pure, that all life needs.
Electric vehicles - the new rage,
Are on the rise and set the stage
For petroleum-free quieter rides.
Are we finally making strides?
Nature's laws – humans can't control;
Working with them, we'll reach our goal
Of contentment and peace the world around
Each having enough – a prize yet to be found.
Wisdom ways of Indigenous past
Offer reminders and gently cast
Hints to tread lightly. Be minimalist,
If we wish to continue to exist.
On sacred Mother Earth,
Share her gifts – trees, birds – with mirth.
Enjoy tranquility about us,
Else, she would do just fine without us.
So, Go! Open your window and breathe in
Fresh life for today's precious season.
Think about what you can do
To respect Great Spirit – Manitou.
This Angry World by Faye Austin
The world is angry, spitting fire and ash.
How many eruptions must it create?
Where must it next open earth and roar?
It’s had enough of our senseless squabbles.
Its threat is real, we should abide, revere its mighty roar,
fear its inevitable outcome, desist our squabbles.
One potentate after another trying to fight – not play.
To destroy – not create.
To pollute our destiny with destructive toys.
Cease and Desist!
We have what we’ve been given the use of –
not the right to
destroy each other,
tower over,
defeat
mankind and its companion species,
inhabitants of this great blue sphere
we all call home.
Germany 1943
Found
by the roadside
three cups, three saucers
spare beauties of shape
uncertainties, loss
some hesitant hand
brushed paint upon porcelain,
blue rise of line over curve, up to lip
small waver, split into
horns of a ram or
fern tendril rising in spring
from wet earth, soft curls at the back
of a small daughter’s head
Carried them
with her after the war never said much
about
work in dark nights her doctor hands bloodied
scalpel and morphine sirens Red Cross her children
in Canada safe far away so little
could be saved.
England 1945
What endures is by chance –
the fragile made
sacred by circumstance.
Canada 2019
I want
hot black tea, this Dresden cup
warm in my hands, steam pearling the air
afternoon’s burnished half light
to imagine
the artist lifts up a cup
tips brush to paint
places
one small last dot
below each tender curl.
Parts of Speech by Day Merrill
The morning the towers fell,
I ran outside, sobbing and wild-eyed
into the arms of my neighbor.
“Why do they hate us so much?” my first response.
No rhetorical question, that, for an unthinkable event.
Unthinkable by me, at least.
By us, by a country unfazed by warning shots
fired over bows in Yemen’s harbor and elsewhere.
Blindsided is what happens when you look straight ahead.
You lose perspective,
see only where you are going.
You may remember where you’ve been,
but not what your being and doing did to those outside your story.
That was not in the textbooks for what was called, bizarrely, Social Studies.
I stand on the wrong side of so many dates:
Not just 09-11, but 1066 and all that ensued from that frank encounter.
1492 and the ocean blue that was really red with the blood of those pushed
to the margins or killed by sword, gun, disease.
The Crusades: rosy English knights in those improbable helmets,
parading across the story books of my childhood.
The Salem Witch Trails, an ancestor the Hanging Judge,
condemning wise women for the threat their knowledge posed.
The twin suns of Hiroshima and Nagasaki,
Napalm and Agent Orange in the Mekong Delta,
decimating both us and them.
Us and them, always us and them.
And now Babylon again, the real weapons of mass destruction sown like bad seed
as we make others them over and over and over.
Brother, sister, where art thou?
Where is knowing each other as who, not what?
First person singular, second person familiar,
declined into he and it and them.
I want new language.
Rules of a higher order, interdependent, universal.
Grammar that holds us to lines
we must parse in parallel with No. 2 pencils mightier than any sword.
Exchanging the pluperfect subjunctive of “if only we had known, we would have”
for future perfectible, less tense than taut.
Beating imperatives
into tempered actions that plow the soil we share.
Planting together adjectives and adverbs that,
twining round each other’s hearts,
tell us who we are and how we can become.
Love Will Never Die by Sandra Parsons
As you lay your head upon your pillow
your dreams go silent as you lay still
your family stands waiting underneath the willow
as your spirit merges from over the hill
like a deer you run so fast to see their faces
you stop a distance so they know it’s you
you’ve come to stay forever at one of your favourite places
you realize it’s your final dream come true
although you’re sorry you didn't say goodbye
you never ever wanted to make them cry
please kiss the boys and tell them why
I’ll love you always, for love will never die.
The Greatest Show on Earth - Anonymous
The Show
Come One, Come All
To the Greatest Show on Earth
One day, one call
Feel what a connection is worth
Want, need, hope
A connection, a hand
Please give some rope
Tie us together, see the band
Glittering with gold
Hands show off our bond
To have and to hold
Nights flew by, mornings dawned
We were marching to the same beat
Heart, Body, Soul
Everything took a back seat
We were on a roll
But it all took a toll
We lost ourselves in each other
I became a troll
You, no longer a lover
Love was lost
Words were said
What a hefty cost
Without a marital bed
Disconnected
Was it the greatest show on Earth?
Where did the fireworks go?
Where went the passion
For life, for each other
Was it you, was it me?
Now that you’re gone, no rebirth
Only memories, dreams crushed so
No more conversation
Hurt, heart, try again why bother
Why can’t I just let it be?
Afraid, afraid, afraid
To hurt that much again
Hibernate from the world
Don’t want to trust again
Never again to feel close
I sit alone trying to be brave
All I want is a friend
Experience the joy of words
Wanting to mend
A wish, but unable to approach
I have found this trail on a city map
along White’s Bay leading to an isle
called Hens and Chickens – a farm,
succulents? I am about to discover,
hoping for green, a glimpse of spring.
Pieces of ice break off with a crack,
Meld with the water, liquid at once.
Redwing blackbirds cling to branches,
screeching, proclaim their territory.
Wings of geese whistle overhead.
Mergansers bustle to and fro.
Willow catkins and moss by my feet,
velvety pillows greeting. All around
celebration, spring is here.
Abruptly, the path to the island ends.
A footbridge has been taken out
by ice and winter storms. Over there,
I see some mounds, homes of muskrats.
Water birds weave through the marshes.
A swan detaches from yellow grasses,
head held high, white wings pristine,
he floats through the gap a few paces
from me. He doesn’t care that I am there,
so sure of his domain.
if in the silence
there is no plea
to echo off the heavens
like waves crashing
against shallow tides
if in stillness
we listen to
earthen rhythms
the pounding of atriums
nestled amongst willows
if in this peace
fraught with transient eternity
anointed by a network
of venation
fragile; ephemeral
if such quietude
can abide ancestral quaking
rending sacred binds
millennia of aching rifts
tethering the hallowed to the lost
am I heard amidst the breathless chant of
the world?
Returning by gloria kropf nafziger
Surrounded by succulent sweet crab apple blossoms
dripping in the wind, the ground a pink carpet, creeping flocks,
red yellow tulips alive and dead, deep purple iris,
a wicker chaise lounge cushioned comfort,
filled with memories, fields of wheat undulating,
unfamiliar beauty, wildflowers,
climbing above constant change.
The Bay calls me, the heat,
invites perhaps demands, jump,
like cool mountain streams at the end or middle
of those days welcomed toes and feet
filled with bygone knowledge,
Roman, medieval, visible ruins.
I walk now on land, remembering, that
where I walk…”Indian children used to play…”
called to be aware to notice, history here.
“ Jesus carried his burdens,” he said
she replied “ I am not Jesus, and he was not sixty.”
Yesterday, after the vegetable beds, were mulched,
and seeds were planted, the labyrinth was mowed and
dainty blues forget me nots were placed in vases,
I watched rain fall, glee filled,
holding knowledge of thunderstorms,
in the valley, on distant mountain ranges,
rain covers over packs, swelling stick clicks on earth,
petitioning for five more kilometres of grace.
You wave as you go by, “ welcome home,’
familiar comfort on your face.
I met him, for the first time at the airport,
heading to St. Jean, three meetings later, he fell
into my arms, a mountain climbed, descent accomplished,
we lost each other on day five.
She gave me my wedding album, forty three years ago,
I was nineteen, so young and wise,
now changed.
Forty countries more or less
gifted me
with wisdom
from their citizens.
my pack sits empty on the floor,
not put away,
not yet.
I am my own arch nemesis,
bound to lead myself to death
In the time between now and then
I will use my heart, my courage, and my voice
to make my enemy
my friend.
Simple Pleasures by Faye Austin
Morning sun beams through the blinds,
warms my face as I gaze out the window.
My teacup nestles between my hands.
I raise it to my waiting lips and tip.
Its golden elixir slides smoothly
over my teeth, onto my tongue.
The sweet flavour runs down my throat.
I swallow. Breakfast tea.
I sigh, smiling at the pleasure
it brings me every morning.
Each day a good beginning.
The boy is gone; he’s launched
and left a gaping space
wet towels, drums and reeking rugby shirts
used to fill.
It’s too quiet now; the sparkle’s gone.
Gabe shared his joys and passions easily;
kept his sorrows and fears for his friends.
No more, “Hi Mom!” though truth be told,
we’d heard it less of late.
Now sometimes over skype,
him sprawled on his dorm bed,
I’ll say, “So, how was your day?”
watch him stroke his beard and calculate
what he’s willing to share (while
admiring himself in the camera).
Just a few weeks gone and he’s already
pitched a ticket home to catch
Viking Metal in TO. (oh ya,
and dad’s birthday too, I guess).
He’s already jamming at a friend’s,
prepping for open mike,
fishing in Ste. Mary’s River
and shaving with his KA BAR knife
by the campfire.
Yes, he’s launched.
I’m happy he’s so full of his own life now,
but I also wish he were still six,
and I were still the apple of his world:
As he will always be of mine.
Untitled - K. Burland
I.
Thankful
for blessings, opportunities, challenges
Praying
for strength and guidance
Giving
my best always
Commitment
to high ethics
Continuing
with optimism, renewed energy, and commitment to service
Goals ahead, and no task beyond
I am thankful.
II.
Life is full of peaks and valleys.
Mountain tops are barren,
in valleys find opportunity for true growth.
Talents, dreams, backgrounds, occupations.
Not exactly like anyone else,
these differences provide good for the common goal.
Peace, Tranquility, Freedom.
Giving thanks to be blessed with friends, laughter and fun,
a heart that is always grateful.
I delight in weather
I flow in the passage of weathers
I don’t wield umbrellas to ward off the rain
or deflect the brilliance of solar light and heat
I don’t live buffeted by the chaotic imagined vagaries of weathers
I revel in the stillnesses and breezes and buffets of true air flows
I don’t moan about the dim and damp of wet summers
I search for secrets and treasures in the shadowed picnics of the dark
I don’t shiver in the midst of winter blizzards, yearning for spring greening
I sing lullabies to sleeping embryos and cuddle the icebergs of silence
I delight in weather
I don’t plant cultivated gardens or water weedless lawns
I write symphonies for wildflowers and float blinded by oceans of dandelions
I don’t gasp in panic with summers passing and the turning, falling of leaves
I dance in harmony with the penultimate colours drifting to their birthing graves
I don’t listen to the manic meteorological dramatizations of media prophets
I watch cloud patterns, leaves and cows and open my nostrils to shifting scents
I don’t get worked up by weather
I flow with it
I delight in it
I’m grateful for weather … of any kind … on any day
affirming every moment …
I’m alive.
© Jake McArthur 2009
Exasperated with the whines and complaints and sighs from people reacting to a summer of more than average rain; the emotional pot-stirring of media around weather forecasts and the endless cycles of complaining about the cold in winter, the heat and humidity in summer and the wishing for something else than what is. Stop … feel blessed!
Climb, refuse to
give up.
speak, forward
stand back
speak back
be afraid
with nothing to admire
listen
empty
repeat.
And then the tide recoiled
when the urge to grow
wealthy as an ocean
was more futile than
the strength it took
to float.
True Glory by E. Beyer
And then the bicycle
glided,
the air
to ground
cool
on a breeze,
more spectacular
than the automobile
it took to arrive in.
We invited local writers to select a park in Collingwood where they have a connection and create a poem about it. Fueling our imaginations and bringing to life the character of a place, is something poets do best and the result is a unique storymap called Place Holders including a video of each poet reciting their poem in the park. Click on the Place Holders logo to go to the storymap.
In celebration of Black History Month this February, we hope you will explore the works of these Black writers. There are 28 authors listed here, one for each day of the month but we encourage you to continue reading and discovering the writings and contributions of these and other Black authors well beyond the month of February.
Curated by past Poet Laureate, Claudia Ferraro
From Canada:
Lillian Allen
Nate Marshall
Cecily Nicholson
Dionne Brand
George Elliot Clarke
Chelene Knight
Kaie Kellough
Cicely Belle Blain
Bertrand Bickersteth
Jillian Christmas
Afua Cooper
Shauntay Grant
Valerie Mason-John
Ian Williams
From the U.S.:
Rickey Laurentiis
Danez Smith
Gwendolyn Brooks
Lucille Clifton
Tyehimba Jess
Rowan Ricardo Phillips
Michael S. Harper
Yona Harvey
Omotara James
Marilyn Nelson
Terrence Hayes
From Nigeria:
Rasaq Malik
From Kenya:
Alexis Teyie
From Australia:
Maxine Beneba-Clarke
Trying to get published in the poetic, literary world can be intimidating... especially for someone with no previous publication experience. Rejections often feel personal - especially when the work you are releasing is so dear to your heart - and the whole process can feel tedious and unrewarding. However, that first acceptance letter will make all of this worth it. So, where do you start? Who do you contact? How do you enter into the publishing world when you don't already have your foot in the door?
Below is a list of possible places (journals, magazines, and chapbooks) in Canada that are known for publishing up-and-coming artists. Their contact information and submission guidelines are also laid out. Remember to keep your cover letter concise - the description of your work should be no longer than a few sentences. Try to create the biggest impact in the smallest amount of space so that, even if a publisher just glances over it, they are forced to stop and read deeper.
Finally, good luck! You are not alone in this arduous pursuit, and every rejection is the step in the right direction!
The Fiddlehead: a creative-writing journal that publishes English writing, or translations into English, from all around the world in a variety of styles. A well-known publication, they put out fours printed publications per year and distribute globally. They are as famous for their rejection notes as they are for their display of amazing, new writers… but don’t let this deter you. They especially appreciate excerpts of larger fictional or poetic pieces.
- fiction and poetry
- Accepts submissions year round
- Payment: $60/page
The Antigonish Review: the third-longest running creative-writing journal in the Maritimes and one of the oldest continuing literary magazine in Canada. They are published in print and online bi-quarterly, distributed around the world, and offer an eclectic array of poetry and prose from both emerging and established writers.
- Fiction, non-fiction, poetry
- Accepts submissions year round
- Payment: $50 plus 2 copies
Arc Poetry Magazine: a poetry and prose magazine based out of Ottawa that focuses on publishing work from brave, new Canadian voices. They put out three editions per year.
Poetry only
- Accepts submissions each Fall
- Payment: $50/page
Room: One of Canada’s oldest feminist literary journals, Room publishes four editions per year out of British Columbia. They showcase writing and art by women, (cisgender and transgender), transgender men, Two-Spirit and nonbinary people. 90% of the work they published comes from emerging figures who have not yet established their careers.
- Fiction, non-fiction, poetry and art
- Accepts submissions year round
- Payment: $50/page
The Dalhousie Review: a literary journal published in print tri-annually by Dalhousie University in Halifax, Nova Scotia. They invite submissions from both established and emerging writers in Canada and around the world.
- Fiction, non-fiction, poetry
- Accepts submissions year round
- Payment: 2 copies of the issue
Canthius: a poetry and prose journal that is published bi-annually, both online and in print, on the unceded territory of Anishinaabeg and the traditional territory of the Ojibway and the Mississaugas of the New Credit. They celebrate work by women, transgender men, nonbinary, Two-Spirit, genderqueer, and gender non-conforming writers
- Fiction, non-fiction, poetry
- Accepts submissions year round
- Payment: $5/page plus one copy
Vallum is a biannual poetry publication based out of Montreal, Canada that provides a forum for emerging writers to be published alongside established figures. They are one of Canada’s top poetry journals that is internationally distributed and recognized.
Poetry
- Accepts submissions year round (submissions April 30th for next edition)
- Payment: none
Untethered Magazine is a Toronto-based literary journal that publishes poetry, fiction, non-fiction, visual art, and anything in between. They put out multiple issues a year, online and as hard copies, and never publish the same author twice in a row so as to give all up-and-comers a chance.
- Poetry
- Accepts submissions year round (submissions due March 15th for next edition)
- Payment: $10 honorarium
subTerrain magazine is published 3 times a year in Vancouver, BC that produces a fusion of fiction, poetry, photography, and graphic illustrations from up-and-coming Canadian and International artists
- Fiction, non-fiction, poetry
- Accepts submissions year round (submissions due June 1st for next edition)
- Payment: $50/page
Spadina Literary Review is an artistic and modern online literary review that focuses on publishing short, snappy pieces alongside local, abstract art
- Fiction, memoirs, poetry
- Accepts submissions year round
- Payment: none
During her term as Collingwood's second Poet Laureate, Claudia made numerous appearances at community and civic gatherings, created poetry installations for our parks and trails, led workshops and hosted events and offered us words and prose that brought joy and hope to the commuity during the pandemic while reminding us of the importance of the arts to our health and well-being.
"It has been my honour and privilege to serve as Collingwood's first Poet Laureate. Poetry is the most compact and efficient way to express thoughts and feelings and engender a deep response in others. The role of Poet Laureate has given me the opportunity to share my love of poetry and the spoken word as well as inspire both committed word fans and those new to the power of poetry"
What is a Community?
by Day Merrill, 2019
The roots of the word are far from clear–
It’s not just those whom we live near
It’s that which we hold in common, and share:
Fair land, clear water, fresh air
Some of it’s shaped by geographic forces
Part is our principles, history, resources.
It’s the circumstances that bind us together
When we take initiative to make things better
It’s what we fight to keep or to change
But never want to give up or exchange
It’s the functions and duties borne by us all
Carried out from home as well as Town Hall.
It’s all who come here to live, work and play
In a place many decide they will stay.
What makes us a community? This in a word:
The choice to be here, and be seen and heard
A place when we talk, we’re heard and believed
Where in life we’re supported and in death we’re grieved.
The place that we start from or end up our days
That nourishes us in so many ways.
If we look, it’s where we can always find good.
It’s the place we call home, our dear Collingwood.